NPR Staff

It's become an annual tradition for NPR to host a live band in our studios for a full day. This year, we upped the ante and invited around 70 musicians from Washington, D.C.'s National Symphony Orchestra to play the musical interludes between stories on All Things Considered.

It's been five years since the death of Trayvon Martin — and the outrage that sparked the Black Lives Matter movement.

Martin — 17 years old, black and unarmed — was shot by George Zimmerman, a neighborhood watch volunteer in Sanford, Fla.

Bill Evans was a genius: The jazz world, which can be roiled by factions and jealousies, usually agrees on that. He was a composer and pianist with a light, lyrical touch that was once described as what you might hear at the gates of heaven. But like many geniuses, Evans died too young — in 1980, at the age of just 51, after years of cocaine and heroin addiction.

A new documentary by filmmaker Bruce Spiegel helps capture that genius with interviews of musicians, family members, and archival footage of Bill Evans himself.

Jonathan Rado and Sam France were in eighth grade when they first met and began making music together. Their tastes were simple at first — straight-ahead rock songs banged out on drums and guitars in a garage. But a dramatic shift happened when they decided to take a less linear approach to recording their work.

"I got really into buying cheap, cheap instruments on eBay — lots of xylophones and melodicas and kind of useless junk — and that was kind of everywhere," Rado says. "We'd just kind of play for like 30 minutes, and then chop the best bits down to a three-minute song."

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