Marissa Lorusso
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Haters may say it's AutoTune, but when Caroline Polachek sings live, it's clear that the impressive range and control you're hearing is all her.
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The synth-pop band just finished its first tour in nearly 20 years. After a recent show in Brooklyn, two longtime fans reflect on why this music still hasn't lost its power.
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El Kempner turns the force of their wiry indie rock toward collapse, yet the visceral palette of Eye on the Bat has an unexpectedly joyful quality.
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With a new home in Nashville, the singer-songwriter's fifth solo album is a laid-back affair full of zen-like wisdom that lands as guidance for a generation.
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The band channels a country-rock sound that lends a wistful sweetness to Karly Hartzman's admissions of youthful recklessness.
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In times of crisis, we're grateful for music that speaks to the current moment. So we asked a handful of visionary artists: Who taught you that music could be a vehicle for political expression?
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Plains' I Walked With You A Ways, the collaborative debut from the Waxahatchee singer-songwriter and Williamson, combines wry wisdom with a classic country sound.
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In her Tiny Desk (home) concert, Ada Lea performs four sharply detailed and dreamy songs.
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On her new album, We've Been Going About This All Wrong, Van Etten turns her steady gaze towards the wreckage of the last few years and still finds a way to prioritize compassion.
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Mitski's most compelling songs are about the grueling work of chasing your dreams; her new track is a powerful entry into that canon.
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Little Things, is one of two new songs that mark the band's first new material since its two stunning albums from 2019.
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"Damn" is propulsive, unsettling and exquisite – and an impressive way to kick off the artist's forthcoming sophomore record, one hand on the steering wheel the other sewing a garden.